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2010s maximalist electropop, stacked synth layers with sawtooth leads and wide-stereo pad chords, punchy four-on-the-floor kick with sidechained bass, gated snare with heavy digital reverb, pitched-up vocal chops as rhythmic texture, loud commercial brick-wall master, high dramatic soprano with precise diction and belted chest-voice peaks, melismatic runs on phrase endings, transparent pitch lock, sudden dynamic drops to sparse piano-and-vocal breakdowns before an explosive full-band reentry.